The popular cinema in India generally indulges in mindless plots punctuated by songs, action & comic sequences which cling to the narrative simply because they are put on. Such movies, irrespective of their commercial outcome, lack the harmony and connection to forcefully create an impression among audience. K. Viswanath , a pan-Indian filmmaker whose (major) works incidentally happen to be in Telugu, is among the handful of Indian directors whose works (less than 25 films) created memorable characters that would stand the test of time. Weaving stories centred on a passionate protagonist against the larger context of preserving Indian arts and culture, Viswanath churned out masterpieces year after year until, much like Sankara Sastry’s story, his era was eclipsed by rise of “commercial cinema”. Born in generation that never saw his movies in theatres, my introduction to his movies was with explicit knowledge about his repute. But expectations notwithstanding, I was p
A Blog For All & None !