Inner Metamorphosis

I remember a cinema-crazy friend remarking almost a decade back, that all Indian movies can be reduced to a handful of basic storylines which when appropriately tweaked at suitable positions yield a wide spectrum of diverse stories. Telugu movies, since Gundamma Katha, have tinkered with the concept of protagonist(s) entering a household (mostly antagonist’s) in disguise to bring about a change in their hearts. In Hindi we have DDLJ in recent memory. It’s a time-tested storyline, which if executed deftly, with judicious mix of déjà vu and novel elements, has nearly always produced good results. So what freshness does Trivikram-Pawan Kalyan’s latest flick “Attarintiki Daredi” bring to a much overused basic storyline? If its spectacular box-office performance is any indication, the movie has indeed struck a chord with the masses. Studying what makes a cinema click would bog down the best; any industry-observer’s speculation is probably only as scientific as modern day computer-emp