Can the flame of faith sustain the storm of helplessly witnessing one’s God’s idol smashed to pieces? Will an ideologue who witnesses the entire edifice of her perspective crumble under the weight of truth revert or revolt? AAVARANA as Bhyrappa explains in the preface is an act of concealing truth. And our intensely ideological, middle-aged protagonist experiences a catharsis of sorts when confronted with truth, a truth that shines through the pervasive deception if only one looks for it. Plot Razia, an ex-Hindu who converted to marry her Muslim college-mate, has an ‘enlightened’ view of history, thanks to the ‘progressive’ arts course at the film-institute she and her husband Amir have been through. She finds her father’s fierce opposition to her marriage with Amir dogmatic. Aren’t all religions equally regressive and fit to be thrown into the dustbin of history? Surprisingly, despite the Marxist bent of both Amir and Lakshmi’s mind, Amir insists on her conversion to I...
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